and still anytime i play a concert with A100 always some people come and are
surprised all this buttons, and little colorfull lights, it has succes, the usual "start trek ship
control room" joke or something like that

yop

--- In Doepfer_a100@yahoogroups.com , "bellenger_a" <bellenger_a@...> wrote:
>
> OK. so.
> I consider the use of A100 very different for studio works or live instrument. I really
dont
> use the machine the same way, not the same patch. What I call "making sounds"... I
called
> so to show more of a studio/composition work. Here maybe I search for really precise
> sound, which will mix with others in the final composition. On stage, if I do lets A100
solo
> or if I play with a drummer lets say, I will not use A100 like I do in my studio, I will look
for
> some versatile patch, which offers some kinda possibilities for quick change in sound,
> thats why I say I' am very interrested in three positions swith or any kinda switch (A140,
> A188, A196, A145... and DualCyclotron...) because they can change sound dramatically
> very easily...
>
> Does this make sense at all
>
>
> Best,
>
>
> Alexandre
>
> > Hello Alexandre,
> > Can you give us your picture of the distinction between these
> > two modes Naturally, this involves an intimate examination of the
> > term "musical"...
> >
> > Alexandre wrote:
> >
> > > I would also like to see more modules thought in the sense of using
> > > A100 as an
> > > instrument for PLAYING music rather than only for MAKING sounds...
> > > but I dont know, not
> > > so much interest around it seems for the moment...
> > >
> > > Best,
> > >
> > > Alexandre
> >
> >
> > [Non-text portions of this message have been removed]
> >
>