but i mean, well I dont use keyboard so far to control synth... so I play only tweaking the
buttons and all thats possible to touch and move and switch, but maybe its all my way to
play so i accept maybe there isnt sometimes this little touch of things to MANIPULATE
PLAY MOVE a synth, or the A100 mostly because thats I use since many years already 7...

I tried the theremis to put things on and off for example or joystick, but something I dont
like so much... well this is all just personnal approach of this machine... and I enjoy it al
lot already...


yep

A

--- In Doepfer_a100@yahoogroups.com , "bellenger_a" <bellenger_a@...> wrote:
>
> OK. so.
> I consider the use of A100 very different for studio works or live instrument. I really
dont
> use the machine the same way, not the same patch. What I call "making sounds"... I
called
> so to show more of a studio/composition work. Here maybe I search for really precise
> sound, which will mix with others in the final composition. On stage, if I do lets A100
solo
> or if I play with a drummer lets say, I will not use A100 like I do in my studio, I will look
for
> some versatile patch, which offers some kinda possibilities for quick change in sound,
> thats why I say I' am very interrested in three positions swith or any kinda switch (A140,
> A188, A196, A145... and DualCyclotron...) because they can change sound dramatically
> very easily...
>
> Does this make sense at all
>
>
> Best,
>
>
> Alexandre
>
> > Hello Alexandre,
> > Can you give us your picture of the distinction between these
> > two modes Naturally, this involves an intimate examination of the
> > term "musical"...
> >
> > Alexandre wrote:
> >
> > > I would also like to see more modules thought in the sense of using
> > > A100 as an
> > > instrument for PLAYING music rather than only for MAKING sounds...
> > > but I dont know, not
> > > so much interest around it seems for the moment...
> > >
> > > Best,
> > >
> > > Alexandre
> >
> >
> > [Non-text portions of this message have been removed]
> >
>