hello list,

here are some of the requested sound examples.
all files are 110 bpm and they should also
work as loops.

for all the examples the same sequence was used.
the pulse wave of an a111 vco is the audio source.
the end of the signal chain is an a131 vca, controlled
by an a140 adsr. the different patches had different
output volumes. therefore the output level of the vca
was re-adjusted on each patch.

this is the a111 pulsewave output:

http://www.selfoscillate.de/a100files/osc+vca.mp3


then the modules in question were patched between
the vco and the vca.


a101-3 vactrol phaser, modulated by an a147 lfo (triangle).
example 1 is a 6-stage patch with simple lfo modulation.
example 2 is the same as example 1, but in 12-stage mode.
example 3 is a 6-stage-patch with a more complex lfo
modulation (vco pitch cv modulates the lfo frequency).
example 4 is the same as example 3, but in 12-stage mode.
example 5 is the same as example 4, but the lfo modulation
is inverted for the vactrols 7 - 12.

http://www.selfoscillate.de/a100files/a101-3-take-1.mp3
http://www.selfoscillate.de/a100files/a101-3-take-2.mp3
http://www.selfoscillate.de/a100files/a101-3-take-3.mp3
http://www.selfoscillate.de/a100files/a101-3-take-4.mp3
http://www.selfoscillate.de/a100files/a101-3-take-5.mp3



a102 diode filter, with different settings for level and
resonance, cutoff modulated by an a145 lfo (triangle).
on the examples 2, 3 and 4 the filter cutoff was
additionally controlled by the vco pitch cv (keytracking):

http://www.selfoscillate.de/a100files/a102-take-1.mp3
http://www.selfoscillate.de/a100files/a102-take-2.mp3
http://www.selfoscillate.de/a100files/a102-take-3.mp3
http://www.selfoscillate.de/a100files/a102-take-4.mp3



a107 morphing filter in different modes:
example 1 is filter mode 04 (12db low + 6db high), with
keytracking and lfo modulation (triangle) on the cutoff,
resonance is close to self-oscillation.
example 2 is the same as example 1, but in filter mode 21,
which is a 6db highpass.
example 3 is the same as example 1, but in filter mode 16
(lowpass + notch 2) and without lfo modulation.
example 4 is a morph between 7 filtermodes, going from
mode 26 to 32 and back, without any other modulation
(fixed cutoff), but with maximum input level and maximum
resonance.

http://www.selfoscillate.de/a100files/a107-take-1.mp3
http://www.selfoscillate.de/a100files/a107-take-2.mp3
http://www.selfoscillate.de/a100files/a107-take-3.mp3
http://www.selfoscillate.de/a100files/a107-take-4.mp3



a108 48db lowpass with a101-3 vactrol phaser patched
into the a108 feedback loop. keytracking is used on both a108
and a101-3. the 24db lowpass output of the a108 is fed into
the a101-3 audio input. the a101-3 output for stage 4 is
fed back into the a108 resonance input jack. the 48 db
lowpass output is used as audio output for the final vca.
during recording the polarizer 1 on the a101-3 was turned
from "fully counter clockwise" (negative feedback) to
"fully clockwise" (positive feedback).

http://www.selfoscillate.de/a100files/a108-a101-3-take-1.mp3



a133 polarizer, used to modulate the vco waveform.
the vco pulsewave is fed into the audio input of the a133.
the vco sinewave is fed into the cv input of the polarizer.
during recording the a133 cv attenuator was turned from
"fully counter clockwise" to "fully clockwise".

http://www.selfoscillate.de/a100files/a133-take-1.mp3



a196 pll, patched between vco and vca, with the following settings:
offs=5, range=mid, type=2, lowpass freq=2

http://www.selfoscillate.de/a100files/a196-take-1.mp3



ok, thats all for now. i don't think that detailed parameter settings
are really necessary for these examples. anyway, if somebody is
interested in more details, please contact me via email.

best wishes

ingo