Florian,

The problem is, if I buy the book you will receive no funds as the book
search was for second hand dealers. Anyway why have two Ferrari's You
can only drive one at a time. However you can never have enough modules
: )

Thanks for the update re: Ken.

Regards



David Salter

Tel: +44 20 7542 2402
Mob: +44 7990562402
Fax: +44 20 7542 2699

-----Original Message-----
From: Florian Anwander [mailto: Florian.Anwander@... ]
Sent: 11 July 2003 15:01
To: Doepfer_a100@yahoogroups.com
Subject: Re: 1 Thought re a module idea


Hi David

> BTW did Ken respond re: the order

Yes, but my paypal certification takes some time (I have to
await the
monthly billig), so I could not send the money to him yet.

> One other thing. I was cruising a book search list for

Electronic music

> titles and a dealer has a book called
> "Synthesizer So funktioniert elektronische Klangerzeugung" by

Florian Anwander
Hey, Yes! Hey its me !! You all can see me clearly I say hey!!!
:-))))))))

> I'm impressed, although the text describing the book was in

German so

> have no idea of content. They are asking 33.01 USD.

You should buy it though it is writtenin german. It is worth the
money: you
will improve your german and I need a second Ferrari; also the
travertin
patio of my villa at Saint Tropez requires some restyling.
BONGgg.... ouch!
I fell from my chair in the backyard office. Must have been
sleeping.
Welcome back to reality.


To be honest: this is one of the thousand books about
synthesizers and
modular systems. You find it also here (this page only exists in
the german
version of the doepfer site):
http://www.doepfer.de/a100_man/a100b_d.htm


The complete subtitle means "Thats how electronic sound
synthesis works -
explained with the example of modular synthesizers".

In the first half of the book I explain, how analog synth
modules do work,
also with some explanations of the electronic principles. The
second half
of the book has a lot of additional themes as: how to use
dynamic handling,
how to use analog synths for percussion, how to work with
polyphony (from
the technical as from the musical side), working with external
signals,
creating compressors, noisegates and other dynamic stuff, using
vocoders,....



Florian


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