hi joe,
not really...i think that you can make the mcv24 to
run in 12 notes polyphonic mode(i assume
that).i,only,have make it to run in 4 voices poly
mode,with 8 a111's,sounds awesome,anyway...!so,you
will never need to worry about the number of notes :-)
bakis.



--- "Joe Buechler < buechlerjoe@... >"
< buechlerjoe@... > wrote:

> Hey bakis, I like the new home page photo! I spy
> your MCV24 up there
> on top, don't I
>
> My suggestion of course assumes that, like you, one
> already has this
> equipment. Used just for this purpose, an MCV24
> would be a VERY
> expensive arpeggiator :-o
>
> There'd also be a problem with not knowing how many
> notes make up the
> chord. The chord size would probably have to be
> predetermined.
>
> Joe
>
> --- In Doepfer_a100@yahoogroups.com , Bakis Sirros
> <synth_freak_2000@y...> wrote:
> > hi joe,
> > very good suggestion joe!!!!!!i had never thought
> of
> > that...
> > i'll try it sometime....
> > thank you.
> > bakis.
> >
> >
> > --- "Joe Buechler <buechlerjoe@t...>"
> > <buechlerjoe@t...> wrote:
> > > I use the A156 quite a lot to create arpeggios,
> > > using LFOs through a
> > > mixer for attenuation and the CV Source module
> to
> > > supply an offset
> > > voltage. Its a very useful and fun module, I
> highly
> > > recommend it.
> > >
> > > For keyboard-style arpeggios, where you play a
> chord
> > > and get a
> > > resulting arpeggio, the only A100-based solution
> > > that comes to mind
> > > would be to use an MCV24 to extract the
> individual
> > > note CVs from
> > > the chord, and patch them to the A155 external
> > > inputs for
> > > arpeggiation. The A156 wouldn't be needed in
> that
> > > patch, since the
> > > midi notes would be already quantized.
> > >
> > > I suppose you could do the same thing with a
> > > polyphonic CV keyboard,
> > > if one exists.
> > >
> > > I mostly use my Waldorf Pulse for keyboard
> > > arpeggiation, either
> > > driving itself or the A100.
> > >
> > > Joe
> > >
> > > --- In Doepfer_a100@yahoogroups.com , "pstnotpd
> > > <psm@w...>" <psm@w...>
> > > wrote:
> > > > Hmm. just brainstorming. I don't know how the
> A190
> > > reacts to chords,
> > > > but if it does trigger a fast gate this could
> be
> > > patched to the
> > > A160.
> > > > If you then have a number of A148 S&H's (say
> 4)
> > > and use the A160
> > > > output to trigger you might have the 4
> voltages
> > > from the chord.
> > > These
> > > > could then be used through A155 running in a
> > > continuous loop.
> > > >
> > > > It does depend on the timing of the A190 and
> the
> > > speed of the S&H's
> > > > though, but I suppose it's worth a try.
> > > >
> > > > Or am I talking rubbish here
> > > >
> > > >
> > > > > would be curious to see how one would set up
> a
> > > patch to work the
> > > > same way
> > > > > as a traditional arpegiator, so you play a
> chord
> > > on the keyboard
> > > > and the notes
> > > > > scale up and down accordingly while an lfo
> > > triggers an EG->VCA for
> > > > note
> > > > > envelope control. not sure how you'd
> patch
> > > the oscillators to
> > > > get pitch to
> > > > > behave in this traditional manner from the
> > > keyboard. seems like
> > > > once a
> > > > > keyboard enters the picture, the 156 would
> > > mainly function as
> > > > a 'note
> > > > > corrector' so you'd be limited to whatever
> notes
> > > the quantizer
> > > will
> > > > allow,
> > > > > regardless of note played on the keyboard.
> > > would probably need a
> > > > > comparator or other logic feature in order
> to
> > > get it to play notes
> > > > across the
> > > > > range of a pitch LFO only when those values
> > > match those coming
> > > from
> > > > the
> > > > > keyboard. ( )
> > >
> > >
> >
> >
> > =====
> > synthfreak(parallel worlds)
> > athens-greece
> > 1 group owner-moderator
> >
> > __________________________________________________
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>

=====
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