Hey bakis, I like the new home page photo! I spy your MCV24 up there
on top, don't I

My suggestion of course assumes that, like you, one already has this
equipment. Used just for this purpose, an MCV24 would be a VERY
expensive arpeggiator :-o

There'd also be a problem with not knowing how many notes make up the
chord. The chord size would probably have to be predetermined.

Joe

--- In Doepfer_a100@yahoogroups.com , Bakis Sirros
<synth_freak_2000@y...> wrote:

> hi joe,
> very good suggestion joe!!!!!!i had never thought of
> that...
> i'll try it sometime....
> thank you.
> bakis.
>
>
> --- "Joe Buechler <buechlerjoe@t...>"
> <buechlerjoe@t...> wrote:
> > I use the A156 quite a lot to create arpeggios,
> > using LFOs through a
> > mixer for attenuation and the CV Source module to
> > supply an offset
> > voltage. Its a very useful and fun module, I highly
> > recommend it.
> >
> > For keyboard-style arpeggios, where you play a chord
> > and get a
> > resulting arpeggio, the only A100-based solution
> > that comes to mind
> > would be to use an MCV24 to extract the individual
> > note CVs from
> > the chord, and patch them to the A155 external
> > inputs for
> > arpeggiation. The A156 wouldn't be needed in that
> > patch, since the
> > midi notes would be already quantized.
> >
> > I suppose you could do the same thing with a
> > polyphonic CV keyboard,
> > if one exists.
> >
> > I mostly use my Waldorf Pulse for keyboard
> > arpeggiation, either
> > driving itself or the A100.
> >
> > Joe
> >
> > --- In Doepfer_a100@yahoogroups.com , "pstnotpd
> > <psm@w...>" <psm@w...>
> > wrote:
> > > Hmm. just brainstorming. I don't know how the A190
> > reacts to chords,
> > > but if it does trigger a fast gate this could be
> > patched to the
> > A160.
> > > If you then have a number of A148 S&H's (say 4)
> > and use the A160
> > > output to trigger you might have the 4 voltages
> > from the chord.
> > These
> > > could then be used through A155 running in a
> > continuous loop.
> > >
> > > It does depend on the timing of the A190 and the
> > speed of the S&H's
> > > though, but I suppose it's worth a try.
> > >
> > > Or am I talking rubbish here
> > >
> > >
> > > > would be curious to see how one would set up a
> > patch to work the
> > > same way
> > > > as a traditional arpegiator, so you play a chord
> > on the keyboard
> > > and the notes
> > > > scale up and down accordingly while an lfo
> > triggers an EG->VCA for
> > > note
> > > > envelope control. not sure how you'd patch
> > the oscillators to
> > > get pitch to
> > > > behave in this traditional manner from the
> > keyboard. seems like
> > > once a
> > > > keyboard enters the picture, the 156 would
> > mainly function as
> > > a 'note
> > > > corrector' so you'd be limited to whatever notes
> > the quantizer
> > will
> > > allow,
> > > > regardless of note played on the keyboard.
> > would probably need a
> > > > comparator or other logic feature in order to
> > get it to play notes
> > > across the
> > > > range of a pitch LFO only when those values
> > match those coming
> > from
> > > the
> > > > keyboard. ( )
> >
> >
>
>
> =====
> synthfreak(parallel worlds)
> athens-greece
> 1 group owner-moderator
>
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