Nicely organic sounding, pretty much has the timbral detail & complexity of an orchestra :-) That Serge stuff does tickle my I-need-to-buy-it-now gland....but then there's also so many nice Cwejman pieces to acquire, and there's Buchla and....argh. *sigh*

But I can't keep wondering how you keep all the noise under control with that load of modules. My 30 rack unit system is already doing my head in with noise, bleed and other nasties. I'll probably have to get a tech to build me a big external power conditioner & power supply unit, as well as filtered buss-boards to get to grips with that.

Best,
Denis / SSFX

On Apr 3, 2011, at 4:56 PM, Bakis Sirros wrote:

> hi Denis,
>
> there are many simultaneously patches in the modular walls, using many modulars, many times.
>
> the biggest individual patch i can remember was a 4 voice-poly Doepfer A100 sound i made back in 2002, using 8 doepfer oscs and four pair of filters(a123,a122 to form bandpass), etc, etc...
>
> recently one of the best monstrous patch i made was on the Serge, and it was a 4 voice poly pad that used 8 osc's, four VCFQ's, four VCA's, various DTG, etc, etc, two phasers, analogue delay, vc panning, etc,etc.... it is the main pad atmo you hear on the last track of the forthcoming cd album 'Exit Strategy', in the track number 7 called 'Return'.
>
> you can easily hear it in the audio clip. this is poly Serge...
> here:
> http://www.reverbnation.com/parallelworlds
>
> thanks,
> best regards, :-)
> Bakis.
>
>
>
>



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