>
> Yeah, I'm seriously eyeing the Malgorithm. The idea of being to
> modulate the sampling frequency really sounds like a lot of fun. So
> you're saying you can ring-mod a signal with itself and you'll
> basically get a higher frequency version of itself

Exactly. If the ringmod is a "clean" circuit the sound will be true to the original. The modDemod is not a clean circuit, and so the octave up is "crunchy."

Additionally, you may get aggressie sounds by tuning 2 VCO to intervals and using one as program and the other as carrier, applied to a ringmod or balanced modulator as some like to call them.

TOny

>
> On Fri, Oct 24, 2008 at 8:28 AM, Anthony Rolando
> < goldenechos@... > wrote:
> >
> > If you have not already got the sounds you like, try a ring mod and/ or the
> > Malgorithm.
> >
> > On the ring-mod tip I (of course) recommend the modDemod.
> > In addition to ring mod effects it does a wickedly crunchy octave up, and
> > sounds wonderfully ominous on human voice.
> >
> > To do octave up just mult a signal into both the program and carrier blend
> > the output with the original signal using a mixer. If you start with a lower
> > octave sine or triangle you will get great results as the octave up coming
> > from the modDemod is clipped and will ride aggressively on top of the lower
> > octave triangle.
> >
> > TOny
> >
> >> To: Doepfer_a100@yahoogroups.com
> >> From: techmaster@...
> >> Date: Thu, 23 Oct 2008 15:17:25 +0000
> >> Subject: 1 What am I missing
> >>
> >> Here is my modular as of now:
> >>
> >> A110 - VCO
> >> A110 - VCO
> >> A145 - LFO1
> >> A146 - LFO2
> >> A138b - Log Mixer
> >> A140 - ADSR
> >> A140 - ADSR
> >> A131 - Exp. VCA
> >> A180 - Multiples
> >> A180 - Multiples
> >> A190 - MIDI Interface
> >> A102 - Diode LPF
> >> A124 - WASP Filter
> >> A137 - Wave Multiplier
> >> Polivoks - Russian LPF/BPF
> >>
> >> This is all in a mahogany case that I made, very similar to the
> >> Doepfer suitcase, using the DIY kit.
> >>
> >> Here's the deal, I have some more room left, but not a lot. It's
> >> definitely starting to fill up, so I need to be careful about what
> >> else I put in this thing, that it will truly be useful. So far, this
> >> thing sounds pretty good, but I have to be honest. It does not sound
> >> like a $2000 synth, which is about what I've put into it so far, but I
> >> know what these things are capable of, so I have to be missing some
> >> key element to fatten it up. Right off the bat, I'm thinking I need
> >> the A-115 divider/suboscillator module. But is that it If it helps,
> >> I am making industrial music, so thick, harsh sounds are my goal. Is
> >> the A-115 the key element that will make this thing make people go
> >> "WOW that sounds awesome!" or is there something else I need to add as
> >> well
> >>
> >> Also, if it is indeed the A-115 that I'm needing, where would you
> >> "typically" patch that in Do you bring two oscillators into a mixer,
> >> then sub-oscillate the mixed signal Or do you just sub-oscillate one
> >> oscillator, pre-mixer
> >> Thanks!
> >>
> >>
> >> ------------------------------------
> >>
> >> Yahoo! Groups Links
> >>
> >>
> >>
> >
> > __________________________________________________________
> > You live life beyond your PC. So now Windows goes beyond your PC.
> > http://clk.atdmt.com/MRT/go/115298556/direct/01/
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
>
>
> --
> Chris Jones
> http://www.doomsdaytechnologies.com
>
> ------------------------------------
>
> Yahoo! Groups Links
>
>
>

_________________________________________________________________
When your life is on the go�take your life with you.
http://clk.atdmt.com/MRT/go/115298558/direct/01/

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