I'd say that you need a deeper sonic palette... Something like:

http://www.doepfer.de/A137.htm

That's a pretty nice module to get some way serious harmonics happening.

The A-115 is nice, it'll help with the sub-bass stuff, but the net result
is a square wave which isn't all that exciting harmonically. To get the
A-115 running, you split a signal out of your VCO and drive it directly.
Or, you can use a SAW or SQUARE output if it's not alrady busy in a patch.


Mark
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techmaster242 (08:17 AM 10/23/2008) wrote:

>Here is my modular as of now:
>
>A110 - VCO
>A110 - VCO
>A145 - LFO1
>A146 - LFO2
>A138b - Log Mixer
>A140 - ADSR
>A140 - ADSR
>A131 - Exp. VCA
>A180 - Multiples
>A180 - Multiples
>A190 - MIDI Interface
>A102 - Diode LPF
>A124 - WASP Filter
>A137 - Wave Multiplier
>Polivoks - Russian LPF/BPF
>
>This is all in a mahogany case that I made, very similar to the
>Doepfer suitcase, using the DIY kit.
>
>Here's the deal, I have some more room left, but not a lot. It's
>definitely starting to fill up, so I need to be careful about what
>else I put in this thing, that it will truly be useful. So far, this
>thing sounds pretty good, but I have to be honest. It does not sound
>like a $2000 synth, which is about what I've put into it so far, but I
>know what these things are capable of, so I have to be missing some
>key element to fatten it up. Right off the bat, I'm thinking I need
>the A-115 divider/suboscillator module. But is that it If it helps,
>I am making industrial music, so thick, harsh sounds are my goal. Is
>the A-115 the key element that will make this thing make people go
>"WOW that sounds awesome!" or is there something else I need to add as
>well
>
>Also, if it is indeed the A-115 that I'm needing, where would you
>"typically" patch that in Do you bring two oscillators into a mixer,
>then sub-oscillate the mixed signal Or do you just sub-oscillate one
>oscillator, pre-mixer
>Thanks!
>
>
>------------------------------------
>
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>
>
>